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POETRY

poems of the month

the diogenes sequence

where to store furs

i am and am not:
      fragments of rumi

destiny and destination

the zen of no-enlightenment

already backwards

a light in ruins

the iraqi monologues

separate amputations

the sexy jihad

awaiting the barbarians

the smell of possibilities

ultimate leaves

rejoice in the dog

post-millennium maggot

albanian poems

french poems in honour of jean genet

the hells going on

suicide for
non-beginners

fearful symmetry

book disease

foreground trouble

the transcendental hotel

cinema of the blind

lament of the earth mother

uranian poems

haikai by okami

haikai on the edge

black hole of your heart

jung's motel

leda and the swan

confession from belgrade

gloss on rilke's ninth duino elegy

jewels and shit: poems by rimbaud

villon's dialogue with his heart

vasko popa:
a shepherd of wolves ?

the rubáiyát of omar khayyám

genrikh sapgir:
an ironic mystic

imagepoem

 

BETWEEN POETRY AND PROSE

400
revolutionary maxims

nice men and
suicide of an alien

vacuum of desire:
a 'gay' correspondence

anti-fairy tales

the most terrible event in history

 

ESSAYS

running on emptiness

a holocaust near you

a note on the cathars

happiness

londons of the mind
& dealing death to the caspian

genocide

a muezzin from the tower of darkness

being or television

satan in the groin

womb of half-fogged mirrors

tourism and terrorism

the dog of sinope

shoplifting in britain & america

this sorry scheme of things

the bektashi dervishes

a holy dog and a dog-headed saint

fools for nothingness

death of a bestseller

 


houses for the dead

ireland and the phallic continuum




JUNG'S MOTEL

three poems

by


Nancy A. Henry





THEY BRING PASTEBOARD MIRRORS
TO THE WEST INDIES

Before they came
we began finding strange
and useless things washed up
on the shore after a great tide.

They came from the belly
of a huge ugly boat.
They were hungry and white
filthy and bad-smelling
their teeth falling out.

We fed them breadfruit, bananas
fish. Some asked to stay.
One they killed for it
with a loud stick that made a hole
in him as big as a coconut.

They came bringing us
little flat pools of light
for looking into.
For these they took the pearls
which we had in abundance,
shell necklaces, spices.

We laughed ourselves blind.
What good were these things
to the Ghost Men ?

They could not know our deep
delight in our dusky faces
beautifully smiling back at us
from the palms of our hands.

 

 

JUNG’S MOTEL

Here in the nightstand drawer
no Gideon’s Bible, but
The Golden Bough.

Oh Carl! The curtains
wear Mandalas,
the Peyote tea's the finest.

In the bathroom
with its tiled echoes
and metaphoric plumbing
our reflections come back to us
mask-like, above a sink
that is a vortex of all
the mythic rivers of the dreamworld.

 

 

DIVINE MADNESS

A schizophrenic is in fact a very
advanced poet with her wordsalad
her gentle dreamy way of stringing
words together on the fine shining
threads of her delusion. These sounds
grouped in families, these visceral
associations that fall together
without the stentorious intervention
of the rational censor which attaches himself
to our brain a few moments after wakening.

We can only mine the rich territory
of our deeper consciousness for a few moments
where memory sense, color run together
in a rich, kaleidoscopic fluid.

She is already there.
It is her home. She will not visit
our staid, ordered world,
little blocks of time, labels on things,
definitions all laid out in rows.

 

 

 

 

Metamorphoto by Anthony Weir

 

 

 

 

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