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POETRY

page of the month

rejoice in the dog

dispatches from the war against the world


albanian poems

french poems


the hells
going on

suicide for non-beginners

fearful symmetry

book disease

the transcendental hotel

cinema of the blind

lament of the earth mother

uranian poems

haiku by okami

haiku on the edge

black hole of your heart

jung's motel

vasko popa

 

BETWEEN POETRY AND PROSE

maxims

 

PROSE

houses for the dead

womb of half-fogged mirrors

overcoming tourism

anti-fairy tales

this sorry scheme of things

satan in the groin

irish genius

egregious.org

 

 
siden 20-08-2000

 

 

 

 



 

 

 

u.g. krishnamurti


five poems by vasko popa

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

NOTES

 

 

ERREZTAZUNAK

Basque for Luxuria , which is the spiritual degeneracy of luxury

 

 

 

 

 

 

 

ALBANIAN
GLOSSARY

 

LODHUR
Tired

 

 

PEZULL
Suspended,
floating,
adrift

 

 

MIZËRI
Multitude

 

 

FYTAZI
At each other's
thr
oats

 

 

TRISHTIM
Sorrow

 

 

LAKURIQËSI
Nakedness

 

 

FATKEQ
Hapless

 

 

BARKAS
Crawling

 

 

RRËMBIMTHI
Drivenly

 

 

TEPOSHTË
Downwards

 

 

NJOLLË
Stain

 

 

FILLOR
Elementary

 

 

PARAQÍTJE
Appearance

 

 

SHPJEGÚESHËM
Explicable

 

 

TREMBUR
Frightened

 

 

BULMET
Dairy produce

 

 

PARAFUNDIT
Penultimate

 

 

PABUZAGAZ
Unsmilingly

 

 

SHKATTËROJ
I unravel, destroy

 

 

Ujk = Wolf

 

*

 

BYK = Wolf
(in Serbian)

 

Vrka-vc = Wolf
(in San
skrit & Etruscan)

 

Vûkojebinje (Serbo-Croat) =
a place where wolves mate

 

 

=|==|==|=

 

 

From an


sent by an Albanian woman in Michigan:

"I love all your poems, because they make you think. It is poet's job to make his audience to think.

The more I read them, the more I like them.

There are many wonderful lines in the awesome Millennium Maggot .

I think my favorite lines come at the very end of this poem, in the last stanzas..."



click to read:

Vasko Popa
(translated
from the Serbian)

Albanian
Poems


The Courage to Stand Alone


 

 

GLOSS ON THE NINTH ELEGY

of RAINER-MARIA RILKE

by Anthony Weir

followed by MILLENNIUM MAGGOT



My invisible, other true friend, Señor Lamort,
unknowable, ever-present, everywhere
like a vast four-dimensional carpet,
asks me silently why I have to be human,
why I, shunning destiny, laden down
with my great gift of sorrow, have to be ?
Not because there is a possibility
of
happiness! No, the idea of personal
happiness (and the hunter's pursuit ) is the most
vain, destructive and self-destroying of concepts
strangling Earth and us with false urgency.

Not that I feel a duty to life the dictatorship, cosmic
catastrophe. Here in my chamber of raw
understanding, wrestling the language of
unutterability, I feel only too-muchness of being
and being one of millions too many.
I'm always wanting to leave both the state
and the chamber - and I'm rooted by both.

Not that we make ourselves happy by torturing
wiping out, exploiting, rounding up animals -
no, increasingly we - the endangering species -
herd and exploit each other, breed
young to disable in schools, denounce any sign
of spontaneous joy in each other.
No, we hate happiness,
seeing that, left to themselves, animals would be happy all over the place without us, thus showing us our soulless irrelevance.

No phenomenon here can possibly want us,
who confront everything with our words and our swords and, far worse, hypocrisy -
every one of us the enemy of everything
- all creatures guiltless but us
in the power of our shamelessness.
And we just once, like lightning or meteor
striking all other dimensions, and each of us once,
but so many millions, mirror-struck, striking
down everything sane and appropriate.

Dogs know that we live noisy irrational lives,
full of patterns and habits and unthinkingness.
The weight of our being's so gross that we are quite unaware of it – but the world is increasingly crushed
and squashed and dried up by us - like a prune
swarming with maggots - and we are here only to say: Home, Tower, Power, Ambition and Threshold.

More than ever subtlety falls away, connection
with Life driven out and replaced by the whimpering
urgency of things and stupidly urging,
hammering images. Happiness! Love! Success!
Driving ourselves to achievement, there is no-one
to praise us but Advertising,
for God was appalled when alive. The Angels are all bred for bacon and organs and sperm.
Praise the world to an Angel, and he squeals in the agony produceable only by devils of language.
Refugee peoples and gypsies and children and
pædophiles are just a small part
of the
tumult made by the Word.

I feel too much. I breathe in pain, and, novice, helplessly immature, can only breathe suffering out, cannot transmute it to anything like ‘beatitude’.
Joy is only the briefest suppression of pain.
Writing cannot be serious when all human culture’s
suppression of feeling in ruthless pursuit
of bizarre manifestations of the trivial,
just as religions are for the anti-spiritual
to justify their manufactured selves by,
and science is merely tearing wings off flies
to grow supremely grotesque on Buchenwald pigs.
Even my anguish is mere manufacture.

(Reading polemic or poetry is such a waste
of spirit and time, when all other creatures
- dolphin or mollusc - are poems
and cannot be other.)

Joy can only be given.
If a thing could be said to be happy
as slug or squirrel is happy,
that thing-happiness can be the only one possible
in world turned to slaughterhouse/smouldering rubbish-pit of Gehenna.
Nothing we do can be innocent,
for with the blind and backward maze of the mind
we turn everything wonderful terribly
into reflections of our terrible selves.
You my invisible friend, my desirable Anti-angel,
you, beyond right or love or truth or happiness
were always right, always Perfect in your holiest
presence and insight.

And my dog, with his divine understanding
silently tells me each day that there is nothing
to understand for there is no - never was - understanding - and no lie is big enough
ever to justify us.

In Siberia people once lived who knew seven genders and never built megalith homes for the dead
or dead calculations for dying.

In the Somme and Hiroshima pacifist worms
have recovered from holocaust.
I almost live. Might never have known...
Live in what? Neither my forgotten, trivial childhood nor the terrible, ever-commissioning future –
but on the present awareness of pain that I can neither transmute nor ignore.
And everything shrivels, and only the shame of humanity pours out of, dries up in my heart.

 

 

MILLENNIUM MAGGOT

Canticles for U.G. Krishnamurti
in memory of Vasko Popa (1922-1991)

published 1999
REVISED VERSION

 

I. Lodhur

Know, forget, sing
Sing, know, forget
Forget, sing and know
The Empire of Nothing
but consumption: ERREZTAZUNAK .

More than nine hundred years ago
The First Crusade passed by
The Silver Fortress of the Eagle Realm,
more than a thousand miles
from Palestine.
"Is this the Holy Land ?"
"Where is the Holy Sepulchre ?"
"Give us news !
"
demanded Christian warriors
after they had raped the women
sung their chant
and slaughtered all the Jews

Searching among the living
for a crust of holy bread -
I find only the defining liquor of the dead
dripping from black icicles of cant.

And upon the beach the dog
and I who preach in silence to the oily
grains of sand the irredeemability of man.

 

 

II. Pezull

And now in Palestine
Israeli soldiers masturbate
before Islamic girls...
Truth on the wound's edge
'The Sanctity of Sex '
Wounds gape and glisten
on the rim of truthfulness

The dead believe that a poet
can't be a poet until he is
deadened by publishing.

The word valiant
has gone missing.

Frost in the heart
Poems of slush
Needles of language combing the brain.

Behold! a guerrilla of grief
in the Empire of Envy, leaking
through the broken
hinges of his face: no cool prophet
or frigid philosopher frightened
by piss and by danger
of communication
on the Islands of Anger.

But always, only the lengthless
depth of death persists.
We are suspended in absence,
the puddle of pain we call ‘time',
our hearts flapping scabs, our eyes
glazed by world, our brains
confiscated by customs.

All grass is grave-grass. Stars die like flies
like the starving..
Death is not the grave.
Death is the digging.

 

  

III. Mizëri

Connections are always collapsing.
Beneath the roots of words
and flowers and prisons:
drains of nostalgia
when the heart first beats
when we are pushed from the blood-dirge
and steered to tile-white dreams.

After self-digesting Autumn
wedding-rings are pissed in snow.
For no individual - human or worm
is life a gift -
but a mysterious retribution.
We are always on the edge of collapse.
All possible futures are Hell:
only impossible ones include states of grace.

Yearning blue the colour
of the crease of consciousness.

  

 

IV. Fytazi

It was foretold in the eleventh century
when money was a rare commodity, that
Money will be Emperor.
And money his new clothes:
a scarecrow but no scapegoat
making us bitter,
counting us, counting us,
katër...pesë ...counting.

Count me among the dog-crap,
grass-poetry, furry looks
marble webs squirming
too many people, too many poems, too many stairs
not enough bears, too many books.

 
 

V. Trishtim

Streetlamps in fog:
such elegance, such courtesy
spilling the blood, tying the vine
burning the trees
always on edge
always on the edge of everything.
As book becomes leaf
and blood becomes brine
and bone becomes root
and love becomes pain
and brain becomes god
may gods become love
that is more than a feeling,
more than the reason for living -
may gods become wine
may gods become rain.

May we become healing.

Refusal and refuse of years,
life is hardly a refuge.
Stupid to weep at the end
when the whole of it calls for tears.



VI. Lakuriqësi

In the dog's eye, not in ours, there's honesty
and in the cavity where the tooth once was
and in the wood before the page, before the poem
and in the mirror where we -
awakened curses - shrivel.
Like gods, we get smaller,
become goblins,
awakened curses.

Dogs want so little
and we give them even less.

Those of us not spiritually dead by the end
of childhood
have been murdered by the end of puberty.
Even before the dewdrops vanish
each upon a thorn -
we start the daily sowing of the seeds of Hell,
each of us a mirrored cell:
the hunted, the hunters of happiness.
Man is God's original sin: life-abuse
We think we're improvement on Nature.

Bones and stones in the caveman's shelter
rumours scraped from enemies
the other half. The gory
brain and bear-skin.
O knife
O word
O welter
give us glory!
Give me, give us glory-life
glory glory-lord
of red anemones.
O Lord of sin.



VII. Fatkeq

Words are the particles of madness.
Among the ruins of the desert-world
will crawl the wrapped-up, wrinkled few
who have been able to afford
the capsules of eternal life.

Carrion sunset. A dead dog.
The timeless realm
The kind domain
of utter solitude

The other side of language.



VIII. Barkas

One of the Tower Seers observed that beasts
cope better than we can ever do
with the world we have degraded.

‘The Spiritual’ whimpers like dying stars behind us
who are black holes between life and death
never living enough to learn that
wisdom is the opposite of sex, and belief
is the opposite of love; that visions lack perception,
truths lack truthfulness, that we desire control
of everything but desire, and all things bitter
taste only of self. The only way to make
connection with anything is to cut the crap
knowing that we are crap
upon vast deserts of our own banality.

The Pharaoh's and the leper's
waters lubricate the rutting mouth:
the sum of disembodied voices
in the sponge before the endless
emptiness of eyes mixes grey destruction
in a field of mud and guts quagmired
by bursting cows.
‘What is reality, and what is talk
about reality ?'
And do I leave
before or after my sad hut is trodden down ?

Butterfly of truth.
Black walls of Kosova ,
black cows of anguish -
‘all of us need all the help that we can get'…

Through unnavigable noise
the garbage of my DNA,
the sewage-barge - and yet, repeatedly,
I'm like a horse who - before the whip falls -
leaps into himself

into nothing.



IX. Rrëmbimthi

Farmstead of time:
fortified, mindraping manstump
dribbling falsified, serial sagas
through wounding, through pain
Marrying, massacring, moaning
again and again and again

How many barbs
in the worldwire ?
how many deserts are folded
in scrotums whose spermfall
bleaches the ore-plundered
body of earth
beyond my dearthbody ?
Everything viscous
dishwasher-water my blood
my meta-
phors trans/
lating/fer-
rying/posing
to you-other-dying
my Charongrey brain-banal
emptiness,
teeming narcissus-nothing
that refuses to die
before the stuttering
shuddering
yet-to-be self-annulling
werewolf-witness...

O the unutterable, almost-unimpeachable
pointlessness of writing poetry!...



X. Teposhtë

Sleep dreams alone
Sleep weeps himself to sleep
his face a lake
We only think we are awake

For oars - a ladder
No consolation for consciousness
but wilderness crying
crying wildness crying beyond rhyme
in wilderness of voice, of womb, of steel.
Sperm, boy, man, skull, ghoul -
the wrong dead row like slimy spies
having secreted stagnant ponds more than
they ever would reveal
through paper, the texture of time.

 
 

XI. N jollë

The flower on the axe is flesh
The landscape like a beaten dog tied up
The fields force-fed and raped
The hills on hunger-strike

Day upon day, like a
coffin-boat hewn in the forest of feeling
I feel ransack of people digging the worldgrave
their science hollowing
hallowing the woundhole

The spirit sputters
goes dark and drops - BYK! -
into the nothingness-mine of the soul.



XII. Fillor

In the bitter end,
our wonderful
intelligence (the only source
of cunning unreason and evil)
into our meddlesome,
voyeuristic shallowness

our wonderful
intelligence
overwhelmingly
produces - from deserts
of its own banality -
only suppression of itself:

deserts of its own banality:
suppression of itself:
deserts
desert
BORN IN A FOREST, DIED IN A...

in the great cellar of the Palace
of Dreams lies the Pale Dreamer
of Dreams dreaming
every dream that has ever
been dreamed:

KNOWLEDGE IS SEX,
UNDERSTANDING IS THE
OPPOSITE OF...

meaning

(but what's the point of complaining ?)


XIII. Paraqítje

Keeps the wind out
keeps the wolf out
the moon
the night
the light
the flies
the noise
but not the echoes
out

A door
keeps the spirits
and the victims out
keeps hell and heaven
god, the world
and you and you
and them out

keeps me and the terrible
small mirrors in.

 

 

  XIV. Shpjegúeshëm

They are all me - all the beasts in unspeakable
pain from what my species gets no joy
but only grim dissatisfaction from doing.
So I intoxicate myself with the rancid
realisation of despair:
Ujko!
a guilty beast, silently howling.


 

XV. Trembur

In 'undemocratic' times
men of power went to poets, poetesses,
beasts to gain some insight -
then promoted wars.

Wolf is hell-teacher, heaven-mocker
unheard messenger
Wolf is cinema, wind-prophet, lustral luster,
fugitive and charnel-house and truster
who drags his bones
through radiant darkness
dying stars.

 

 

XVI. Bulmet

Guns and marble
White alphabets on black skin regiments
marble-white of spate
of sperm and bones and milk and bread
No matter whose corpse you lift you expose
those who need the protection of corpses
Truth liquefies beauty
Meat bleeds the unsayable unsaid

The infinite silence of terrible answers

Tearshroud
The dead
unable to imagine the opposite of meaning,
the hungry dead whose lives are fed
by hunger:
hunger after hunger
black milk of money
hungering
for what cannot be said.



XVII. Pabuzagaz , Parafundit

Over eighty (unaborted)
children were reported
recently to have been eaten
( heads and all ? )
by a Russian cannibal

Is life a hole we dig ourselves out of
or into ?
Unburiably, shit also shits

Let me know if I hit a vein.

In antique days unwanted children
were "exposed" on mountainsides.
Now all must be wanted, and all
are offered eagerly, entire
as tribute to the State

For us the Unspeakable Us
bleaching our Shadow
alone teeming alien
Words are no path
Language no bridge
no tool of wisdom
but weapon and wound: The Fall

We find
and keep on seeking, speaking, leaking
And the shows
are whatever is and nothing less.
Nothing more than all of us
in balconies and rows
and boxes of a million mirrored
stageless theatres.

Better to have paid
not to be here
vc-vomiting in space:
eating our children is the nearest
we can get to grace.



XVIII. Shkatërrój

It's not the meaning of life
(which is only
absurdity) that is
important, but the meaning
of death
the soft liberation
of unmeaning
into which I
truth's uncertain bride
Vrka-vc
must leap or dance
or elide.

Though earth is in all of us
we don't care to know
we really don't care

(Just let me know when I hit a vein)

We count spoons with computers
count lies
Men's seed
is tears rolling back into
navel-tight eyes
ruptured moons
into rotwork

We need
(though neither giving nor receiving
has much to do with whatever might be meant
by blessedness)

We need to give
vûkojebinje
what we most need.

 



 

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Metamorphotos by Anthony Weir